Jazz piano:

Dobbins, Bill, The contemporary jazz pianist: A comprehensive approach to keyboard improvisation,  vols. 1 y 2 especialment, Charles Colin,Nova York,1989.
Fischer, Clare, Alone together. Just me, Advance Music, 1997.
Levine, Mark, The Jazz Piano Book ,Sher Music, 2005.
"Song books"  de compositors nordamericans (Gershwin, Rodgers & Hart, Dietz & Schwartz, Harold Arlen, Jerome Kern, Irving Berlin).
Transcripciones de solos y de composiciones de Bill Evans, Herbie Hancock (con el quintet de Miles Davis), Chick Corea, McCoy Tyner, Wynton Kelly, Stride Piano (Fats Waller, Art Tatum, Willie the Lion, James P. Johnson).

 Improvisación:
    
Bailey, Derek, La improvisación: su naturaleza y su práctica en la música, Ediciones Trea S.L, 2010.
Charlie Parker Omnibook, Alfred Publishing Company, 1982.
Crook, Hal, How to improvise, Advance Music, Rottenburg, 1991.

Jazz:

Balliett, Whitney, Collected  works. A journal of jazz 1954-2001, Saint Martin´s Griffin, Nueva York, 2002,
Bley, Paul, Stopping time: Paul Bley and the transformation of jazz, Vehicule Press, 1999.
Davis, Francis, Bebop and nothingness. Jazz and pop at the end of the century, Schirmer Books, Nueva York, 1996.
Davis, Francis, Like young. Jazz, pop, Youth and Middle Age, Da Capo Press/ Plenum, Nueva York, 2003.
Davis, Miles y Quincy Troupe, Miles Davis. La autobiografía, Ediciones B, Barcelona, 1995.
Delorme, Michel, My favorite things. Conversaciones con John Coltrane, Alpha Decay, Barcelona, 2012.
Dyer, Geoff:But beautiful. A book about jazz. Abacus, 2003.
Franchi, Ivo, Keith Jarrett, Editore Riuniti ed, Roma, 2002.
Giddins, Gary, El triumfo de Charlie Parker, Alba Editorial, 2008.
Giddins, Gary, Riding on a blue note: Jazz and American pop, Da Capo Press, 2000.
Giddins, Gary, Visions of jazz. The first century. Oxford University Press, Oxford University Press, 2000.
Gioa, Ted, Historia del Jazz, Turner Ediciones, Madrid, 2003.
Gillespie, Dizzy & Al Fraser, To Be or not to Bop.Memorias de Dizzy Gillespie.Global Rhythm Press, 2009.
Graham Mingus, Sue, Tonight at noon: A love story, Da Capo Press, 2003.
Hamilton, Andy: Lee Konitz, Conversations on the improviser's art. University of Michigan Press, 2007.
Jarrett, Keith, Il mio desiderio feroce. Edizioni Socrates, Roma, 1994.
Liebman, Dave: What it is. Conversations with Jazz artist Dave Liebman. Scarecrow Press, 2011.
Meehan, Norman, Time well tell. Conversations with Paul Bley, Berkeley Hills Books, 2003.(Traducción del primer capítulo en:
http://www.tomajazz.com/perfiles/bley_entrevista.htm
Niklas Wilson, Peter, Ornette Coleman.His life and music. Berkeley Hill Books.
Pepper, Art y Laurie Pepper, Straight Life: The story of Art Pepper, 1994.
Pettinger, Peter, Bill Evans. How my heart sings, Yale University Press, 2002.
Peterson, Lloyd, Music and the creative spirit. Innovators in jazz,improvisation and the avantgarde. The Scarecrow Press Inc, Oxford, 2006.
Porter, Lewis, John Coltrane. His life and  music, Ann Harbor. University of Michigan Press,1999.
Ratliff, Ben: The jazz ear. Conversations over music. Henry Hold & Co, New York, 2008.
Shim, Eunmi, Lennie Tristano: His life in music. University of Michigan Press, 2007.

 Enseñanza e interpretación de la música:

Bruser, Madeline, The art of practicing: a guide to making music from the heart, Harmony/Bell Tower, 1999.
Mozart, Leopold,  A teatrise on the fundamental principles of violin playing, Oxford Early Music Series, 1985.
Murray Schafer, Robert, Cuando las palabras cantan, Ricordi Americana, Buenos Aires, 1975.
  -El compositor en el aula, Ricordi Americana,1998
  -El nuevo paisaje sonoro. Un manual para el maestro de música moderno, Ricordi Americana, 1969.
  -El rinoceronte en el aula, Ricordi Americana, 1975.
  -Limpieza de oídos, Ricordi Americana, 1998
Nachmanovitch, Stephen, Free play. Improvisation in life and art, Jeremy P. Tarcher/ Penguin- Putnam Publishing, 1991.
Portney Chase, Mildred, Just being at the piano, Creative Arts Book company, Berkeley, 1985.
Quantz, Johann Joachim, On playing the flute, Northeastern University Press, 2001.
Ristad, Eloise, A soprano on her head, Real People Press, Moab, 1982.
Whiteside, Abby, On piano playing, Amadeus Press, Portland, 1997.

Sobre el piano y los instrumentos de tecla en la música clásica:

Bach, Carl-Philipp Emanuel, Essay on the true art of playing keyboard instruments, W. W. Norton and Company, 1998.
Berman, Boris, Notes from the Pianist´s bench, Yale University Press, 2002.
Chiantore, Luca, Historia de la técnica pianística, Alianza Editorial, Madrid, 2001.
Eigeldinger, Jean-Jacques, Chopin: Pianist and teacher: as seen by his pupils,  Cambridge University Press, 1989. Traducció de:
 -Chopin vu par ses élèves, Fayard, 2006.
Garniez, Nancy, What might it mean?. An uncommon glossary of musical concepts for the stuck, bored and curious, Tonal Refraction,Nova York,1999.
Hildebrant, Dieter, Pianoforte, la novela del piano. Muchnik editores, Barcelona, 1986.
Hofmann, Josef, Piano playing with piano questions answered, Dover Publications, 1976.
Mach, Elyse, Great contemporary pianists speak for themselves, Dover Publications, 1991.
Monsaingeon, Bruno:Mademoiselle.Entretiens avec Nadia Boulanger.Ed. Van de Velde. Paris, 1981.
Leimer- Gieseking, La moderna ejecución pianística, Ricordi Americana, 1977.
Loesser, Arthur, Men, women and pianos: A social history, Dover Publications, 1991.
Neihaus, Heinrich, El arte del piano, Real Musical, Madrid, 1985.
Parakilas, James, Piano roles. A new history of the piano, Yale University Press, 2002.
Rosen, Charles, Piano notes.The world of the pianist, The Free Press,Nova York, 2002.
Schnabel, Arthur,  My life and music, Dover Publications,Nova York, 1988.
Schenker, Heinrich, The art of performance, Oxford University Press, 2002.
Schonberg, Harold,  The great pianists, Simon and Schuster,Nova York, 1987.
Schonberg, Harold, Horowitz. His life and music. Simon and Schuster,Nova York, 1992.
Speerstra, Joel, Bach and the Pedal Clavichord. An organist´s guide, University of Rochester Press, Rochester, 2004.
Tomes, Susan: A musician's alphabet. Faber and Faber, London, 2006.
 -Beyond the notes.The Boydell Press, Woodbridge, 2004.

 Contrapunto:

Delamont, Gordon,  Modern  Counterpoint Technique, Kendor Music, 1969.
Jeppesen, Knud, The style of Palestrina and the dissonance, Dover Publications,Nova York, 2005.
Jeppesen, Knud, Counterpoint, The polyphonic vocal style  of the sixteenth century, Dover Publications, Nova York, 1992.
Mann, Alfred, The study of the counterpoint from Johann Joseph Fux´s Gradus ad Parnassum, Norton and Company, 1971.
Salzer, Felix and Carl Schachter, Counterpoint in composition, Columbia University Press,Nova York, 1969.

 Solfeo rítmico y educación del oído:

Hindemith, Paul, Adiestramiento elemental para músicos, Ed Ricordi Americana, Buenos Aires, 1949.
Kühn ,Clemens, La formación musical del oído, Span Press Universitaria, 1998.

 Armonía, Música del siglo XX:

Delamont, Gordon, Modern Harmony Technique. Vols 1 i 2, Kendor Music, Delevan, 1965.
Karolyi, Otto, Introducción a la música del siglo XX, Alianza Editorial, Madrid, 2000.
Kostka, Stefan--Payne, Dorothy: Tonal harmony, McGraw Hill Humanities USA, 2003.
Lebrecht, Norman, The complete companion to 20th. Century Music, Simon and Schuster, Simon and Schuster Limited, Londres, 2000.
Nettles, Barry y Richard Graf, Chord Scales and Jazz Harmony, Advance Music, 1997.
Persichetti, Vincent, Armonía del siglo XX, Real Musical, Madrid, 1985.
Ulehla, Ludmila, Contemporary harmony: Romanticism through the twelve-tone row, Advance Music, 1994.

 Música occidental:

Copland, Aaron, Como escuchar  la música, Fondo de Cultural Económica México, Méxic, D.F., 1994.
Karolyi, Otto, Introducción a la música, Alianza Editorial,Madrid, 1999.
Ross, Alex: El ruido eterno: Escuchar al siglo XX a través de su música..Seix Barral, Barcelona,2009.
Schonberg, Harold C., Los grandes compositores, vols. 1 y 2, Robinbook, Barcelona, 2004.

 Estética:

Bodei, Remo, La forma de lo bello, Visor Libros, Madrid, 1998.
Brendel, Alfred, Alfred Brendel on music: Collected essays, Chicago Review Press, 2000.
Dalhaus, Carl, Estética musical, Edition Reichenberger, Berlín, 1996.
Donà, Massimo,  Filosofia della musica. Tascabili Bompiani, Milano, 2006.
Hanslick, Eduard, On the musically beautiful: A contribution towards the revision of the aesthetics of music, Hackett Publishing Company, 1986.
Rosen, Charles, Critical entertainments. Music old and new, Harvard University Press, Cambridge, 2001.
Schneider, Michel, Glenn Gould, piano solo.Aria et trente variations, Gallimard, 1988.
 -Musica nocturna: El lado oculto del lenguaje musical, Ediciones Paidos Ibérica, Barcelona, 2002.
Schonberg, Arnold: Confesiones.Intervalic Press, Madrid, 2006.
Stravinsky, Igor, Poética musical: en forma de seis lecciones, El Acantilado, Barcelona, 2006.
Toch ,Ernst, La melodía, Span Press Universitaria, 1998. 

 Arreglos, Composición:

Delamont, Gordon, Modern Melodic Technique, Kendor Music , Delevan,  1976.
Delamont, Gordon, Modern Contrapuntal Technique,  Kendor Music, Delevan, 1969.
Dobbins, Bill, Jazz arranging and composing: A linear approach, Advance Music, 1986.
Goldstein ,Gil, Jazz composer´s companion, Advance Music, Rottenburg, 1993.
Sebesky, Don, The contemporary arranger, Alfred Publishing Company, 1975.

 Ensayo:

Andrés, Ramón, El oyente infinito. Reflexiones y sentencias sobre música (De Nietzsche a nuestros días), DVD Ediciones S.L., Barcelona, 2007.
Craft, Robert, Conversaciones con Igor Stravinsky, Alianza Editorial, Madrid, 1991.
Friedman, B.H: Give my regards to Eight Street. Collected Writings of Morton Feldman. Exact Change, Cambridge, 2000
Quignard, Pascal, El odio a la música. Editorial Andrés Bello, Barcelona, 1999.
Richter, Sviatoslav, Notebooks and conversations, Faber and Faber, Londres, 2005.

 Cognición Musical:

Jourdain, Robert: Music, the brain and ecstasy. Harper Perennial, 1989.
Meyer, Leonard B. , Emoción y significado en la música. Alianza Editorial, Madrid, 2001.
Sacks, Oliver, Musicophilia: Tales of music and  the brain, Knopf. 2007.
Sloboda, John, The musical mind, the cognitive psychology of music. Clarendon Press, Oxford, 2004.
Storr, Anthony, La música y la mente, el fenómeno auditivo y el porque de las pasiones, Paidos Ibérica, Barcelona, 2002.

 Consulta:

Slonimsky, Nicolas, Baker´s Biographical Dictionary of Musicians, Schirmer Books, 1997.
 -Lexicon of musical invective, Critical assaults on composers since Beethoven´s time, W. W. Norton & Company,Nova York, 2000.
 -Perfect pitch. A life story, Oxford University Press,Nova York, 1988.
 -The listener´s companion. The great composers and their works. Schirmer Trade Books, New York, 2000.
 -Thesaurus of scales and melodic paterns, Amsco Publications,Nova York, 1987.
The New Grove Dictionary of Music and Musicans, Oxford University Press, 2001.
The New Grove Dictionary of Jazz, Oxford University Press, 2003.